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Oluwole Omofemi – Omoge (2019)

Oluwole Omofemi – Omoge (2019) Oluwole Omofemi, uses hair – specifically the afro – as a metaphor for freedom and power, and a symbol of identity. As a child, he learned about the civil rights movement and the natural hair movement of the late 60s and early 70s from his grandfather, who, at the time, sported an afro. Omofemi now uses hair in his paintings as a metaphor for freedom and power, and as a symbol of identity. Omofemi sees women as close to God, in their ability to love, accept and forgive. This is why the majority of his subjects – and all of those in this exhibition – are female.

  • Oluwole Omofemi – Omoge (2019)
  • Oil & Acrylic on Canvas
  • 47 1/5 Γ— 55 1/10 inches
  • W 120 Γ— H 140 cm

 24.627,00

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He not only experienced a measure of hardship in his childhood, but also faced lonely spells. These further helped to deepen his artistic vision and provided sources of materials for his creativity.

Nostalgically, Omofemi’s childhood experiences in the inner streets of Ibadan helped shape his artist vision. However, he spent part of his childhood in Edo state Nigeria when his mother was estranged. She took him to Etsako, Agenebode – a fishing community in a costal region. Here, he lived as a fishmonger. Omofemi’s mother, together with young Omofemi, later reunited with his grandpa. Still seethingΒ  with creative energy, he was registered at a primary school. HeΒ  later went to live with his paternal grandpaΒ  who taught him to have a strong attitude about life.

At his early years, Omofemi was propelled to hawk beer; while doing this, he usedΒ  a part of his earnings to buy drawing books in order to kickstart hisΒ  artistic career. He later acquired a wheelbarrow to facilitateΒ  his beer business.

The hustle and bustle of Ibadan metropolis, especially the popular Dugbe Market, were factors that imbued him with creative impulses, and fired his artistic imagination. He later met an artist, from whom he acquired some first-hand informal artistic skills. Omofemi was later recognized as one of the best artsts at his Junior Secondary School – Community Grammar School, Mokola, Ibadan.

Tope Fatunbi was the first professional artist who helped clear the path for omofemi’s artistic career. HeΒ  has had a teaching stint, and likes dancing, meeting people as well as playing football.

He once openedΒ  a Kiosk for the display of his miniatures. Interestingly, the name β€˜Oluwole’ was given to him by his grandpa; it is a YorΓΉbΓ‘ word that literally means, β€˜God has paid us a visit.’  This is because his grandpa had always believed Omofemi would be his heir.

His strength as an artist lies in showcasingΒ  human figures; and this is a skill he has steadily honed on the professional turf. His chosen media are oilΒ  and acrylic with preference for oil.

Omofemi’s first arts exhibitionΒ  was at the National Museum, Ibadan, Nigeria. Alliance FranΓ§Γ©, Ibadan, has also hosted his exhibition. His other exhibitions include the ones at some prestigious galleries in Lagos, Italy, Belgium and Ghana. He has had one solo exhibition to his credit.

For him, African Art has more depth since it is often a portrayal of sometime complex personal experiences. His mind continues to resonate with childhood experiences that proved material for his arts. He believesΒ  art hasΒ  a functional role in societyΒ  to correct vices, to reveal the messages in the mind of the artist, and as a record of the past.

He receivedΒ  his Higher NationalΒ  Diploma fromΒ  the Polytechnic of Ibadan, where he wasΒ  also recognized as one of the best graduating students of the year. As a visionary, Omofemi has always wanted to deploy arts to better the lot of the underprivileged, to showcase African fashion and feminine charm, and to bring about the rediscovery of afrocentric pride. His works are widely collected in Nigeria and abroad.

Artist | Oluwole Omofemi

Oluwole Omofemi (born 1988), born Godwin Oluwole Omofemi, is an internationalΒ  artist who hails from Edo south in Nigeria. He was born in the ancient city of Ibadan where his artistic talent sprang to life and received the nourishment of older artists.

Omofemi shared his early life with his grandpa who was a major influence on him and wanted him to become an electrician. As a child, Omofemi loved to display his creativity throughΒ  infantile drawings on the floor. He dazzled his older neighbour with such displays that a woman once predictedΒ  his futureΒ  artistic accomplishments.

Oluwole Omofemi African Art MoMAA
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