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Sixteen weeks, five continents, two auction weeks and more than a dozen gallery weekends. The autumn art fair season opened in Seoul in early September and closes in Miami Beach in December, and the part that matters most sits in the middle: an eleven-day stretch in October when London and Paris absorb almost the entire international market in succession.

If you are planning to attend one thing this autumn, it falls between 13 and 25 October. Here are the confirmed dates, what each fair is actually for, and how to plan around them.

October 2026 — the eleven days that matter
13–18 Oct
PAD London
Berkeley Square · Design and 20th-century fine art
14–18 Oct
Frieze London & Masters
The Regent’s Park · Contemporary and historical, side by side
15–18 Oct
1-54 Contemporary African
Somerset House · The leading African and diasporic art fair
15–18 Oct
London Invitational
The Chancery Rosewood · Tight roster, one hotel floor
15–18 Oct
Fair Play
One Marylebone · Free stands, commission on sales
21–25 Oct
Art Basel Paris
Grand Palais · Previews 21–22, public 23–25
Oct
Paris Internationale
Nomadic · Runs alongside Art Basel Paris
Frieze Sculpture runs free in The Regent’s Park from 16 September to 1 November. Frieze Abu Dhabi follows in November; Art Basel Miami Beach in early December.

Frieze Week: 14–18 October

Frieze London and Frieze Masters return to The Regent’s Park, running side by side as they do every year — contemporary at one, historical and twentieth-century at the other, about fifteen minutes’ walk apart. Wednesday 14 October is invitation only. The public days are 15 to 18 October.

Thursday is the awkward one: members and invitation-only preview from 11am, with general admission tickets valid only from 1pm. Friday and Saturday run 11am to 7pm, Sunday 11am to 6pm. Last entry is thirty minutes before closing and there is no re-entry on a general admission ticket — leave for lunch and you have finished your visit. Tickets are online only.

This year’s curated sections comprise 50 presentations. One-artist stands include Ibrahim El-Salahi, the Sudanese modernist and a founding figure of African modernism, alongside Myrlande Constant, Anish Kapoor and Dalton Paula. For anyone following African and diasporic practice, El-Salahi at Frieze is the single most significant stand of the week.

1-54: 15–18 October

1-54 Contemporary African Art Fair returns to Somerset House, as it has every Frieze Week since 2013. It remains the foremost fair dedicated to contemporary African art in the primary market, and its timing is deliberate: it captures the international collectors, curators and press already in London for Frieze.

That matters more this year than usual. With Sotheby’s having dissolved its dedicated African art department in 2025, the specialist gathering points for this market have thinned considerably. 1-54 is now one of the few places where the field is presented as a field rather than as scattered lots in general sales.

Somerset House is a twenty-five minute journey from The Regent’s Park. Do not attempt both in one afternoon.

Art Basel Paris: 21–25 October

Now settled in the Grand Palais and, by many accounts, steadily eclipsing its older Swiss sibling — a good number of American collectors have come to prefer Paris to Basel. The 2026 edition is the first under its new director, Karim Crippa.

Preview days are Wednesday 21 and Thursday 22 October; general admission runs Friday 23 to Sunday 25. Paris Internationale, the gallerist-organised satellite running since 2015, takes place alongside it and is invitation-only for exhibitors — which is precisely why it tends to be where the more interesting young galleries turn up.

How to Plan It

Book Frieze tickets now. They are online only, date and time specific, and the good slots go. There is no gate sale to fall back on.

Give each fair a day. Frieze London and Frieze Masters together are a full day and arguably two. 1-54 is a comfortable half day but rewards longer. Trying to compress London’s October week into a weekend produces the same exhausted half-visit that ruins the Venice Biennale for most people.

Use Frieze Sculpture as the free option. It runs in The Regent’s Park from 16 September to 1 November, costs nothing, and is open long after the fairs have packed up.

If you are buying, prepare before you arrive. Fair conditions — crowds, time pressure, a dealer with a queue behind you — are designed to compress decisions. Know your budget including shipping, framing and insurance before you walk in, and ask for the provenance file rather than accepting a verbal account. The documentation you should insist on is the same at a fair as anywhere else.

What Comes After

The season does not end in Paris. Frieze Abu Dhabi launches in November, marking Frieze’s entry into the Middle East, and runs against the New York marquee auction weeks — which is where the season’s real money changes hands. Art Basel Miami Beach and its satellites close the year in early December.

For African contemporary art specifically, the autumn also includes Dak’Art in Dakar from 19 November to 19 December, which overlaps the Venice Biennale’s closing on 22 November.

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Frequently Asked Questions

When is Frieze London 2026?

14 to 18 October 2026 at The Regent’s Park. Wednesday 14 October is invitation only; the fair is open to the public from 15 to 18 October. Frieze Masters runs concurrently about fifteen minutes’ walk away.

When is 1-54 London 2026?

15 to 18 October 2026 at Somerset House, timed to coincide with Frieze Week.

When is Art Basel Paris 2026?

At the Grand Palais, with preview days on 21 and 22 October and general admission from 23 to 25 October.

Can I re-enter Frieze on the same ticket?

No. General admission tickets carry strictly no re-entry, and last entry is thirty minutes before closing. Plan to stay for the whole visit.

Is there anything free during Frieze Week?

Frieze Sculpture, the outdoor display in The Regent’s Park, is free and runs from 16 September to 1 November 2026 — well beyond the fair itself.

Dates confirmed against fair organisers, September 2026. Always check the official site before travelling, as hours and ticketing can change.

Dr. Abigail Adeyemi, art historian, curator, and writer with over two decades of experience in the field of African and diasporic art. She holds a Ph.D. in Art History from the University of Oxford, where her research focused on contemporary African artists and their impact on the global art scene. Dr. Adeyemi has worked with various prestigious art institutions, including the Tate Modern and the National Museum of African Art, curating numerous exhibitions that showcase the diverse talents of African and diasporic artists. She has authored several books and articles on African art, shedding light on the rich artistic heritage of the continent and the challenges faced by contemporary African artists. Dr. Adeyemi's expertise and passion for African art make her an authoritative voice on the subject, and her work continues to inspire and inform both scholars and art enthusiasts alike.
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